高須　竜樹

1976年　岐阜県出身

独学で写真を学び愛知県、京都府を中心に活動している。

「心に残る写真」を概念に持ち,人の歴史.記憶を紙に定着させる作品を制作
多くの企画はデジタルプリント「ピエゾグラフィー」、アナログプリント「ゼラチンシルバー」を用いている。

 2018年「平成三十年」暮れ、愛知県名古屋市、名古屋駅辺りの夜間の街並みを撮影していた所、道に迷い入り込んだ所が柳橋市場であった。

その話を写真仲間に話した所2019年「令和元年」に名古屋柳橋水産ビルは閉鎖されると言う事を知り、写真という形で職人達の働く様子を記録し伝えなければと感じたことが撮影の始まりである。
魚市場で働く職人達の格好良さその凄さ魅力を肌で感じ、魚市場で働く職人達を撮りたい気持ちが増し、後世へと伝えたい。
そして海から授かった命はどの様な経過をたどり市場へ運ばれるのか,
漁師、魚市場で働く職人の一瞬の輝きを掬い上げ、色を無くしたモノクローム写真によりその想像を掻き立て伝えている。

Tatsuki Takasu
born in Gifu

Self-taught in photography, he lives and works mainly in Aichi and Kyoto prefectures.

 

With the concept of "photographs that stay in the mind," he creates works that fix people's history and memories on paper. With the concept of "photographs that stay in the mind," he creates works that fix memories on paper.

Many of his projects are made with digital prints "Piezography" and analog prints "Gelatin Silver".

 

 At the end of 2018, I was photographing the nighttime streets around Nagoya Station in Nagoya City, Aichi Prefecture, when I got lost and entered Yanagibashi Market.

When I told this story to a fellow photographer, I learned that the Nagoya Yanagibashi Fisheries Building would be closed in 2019, and I felt the need to record and convey the working conditions of the artisans in the form of photographs, which was the beginning of my photography career.

I felt the need to document and communicate the work of these artisans in the form of photographs, and this was the beginning of my photography career.

I want to tell the story of the lives given to us by the sea and how they are brought to the market.

The monochrome photographs capture the fleeting moments of brilliance of the fishermen and fish market workers, and the colorless black-and-white images stir the viewer's imagination and convey the story.